Boomkat Product Review:
Includes unlimited streaming of Late Night Tales: Agnes Obel via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Ships out within 3 days edition of 1000 11 remaining.
Anyone who heard the recent Riverside 10' EP from Danish-born Agnes Obel will know exactly what sort of spectral loveliness to expect from the singer-songwriter's full-length. Philharmonics is a delicately poised affair that certainly doesn't over-do it in terms of the arrangements; pieces such as 'Beast', 'Just So' and 'Close Watch' manage to sound haunting and intimate without having to build-up the instrumentation too much. In all these cases, light piano or harp backdrops provide the perfect context for Obel's multitracked vocals to really shine, although some well-placed strings and percussion flesh out the album's gloomier corners, as on the ghostly title track and the waltzing 'Avenue'. Good stuff.
Boomkat Product Review:
Anyone who heard the recent Riverside 10' EP from Danish-born Agnes Obel will know exactly what sort of spectral loveliness to expect from the singer-songwriter's full-length. Philharmonics is a delicately poised affair that certainly doesn't over-do it in terms of the arrangements; pieces such as 'Beast', 'Just So' and 'Close Watch' manage to sound haunting and intimate without having to build-up the instrumentation too much. In all these cases, light piano or harp backdrops provide the perfect context for Obel's multitracked vocals to really shine, although some well-placed strings and percussion flesh out the album's gloomier corners, as on the ghostly title track and the waltzing 'Avenue'. Good stuff.
Boomkat Product Review:
Anyone who heard the recent Riverside 10' EP from Danish-born Agnes Obel will know exactly what sort of spectral loveliness to expect from the singer-songwriter's full-length. Philharmonics is a delicately poised affair that certainly doesn't over-do it in terms of the arrangements; pieces such as 'Beast', 'Just So' and 'Close Watch' manage to sound haunting and intimate without having to build-up the instrumentation too much. In all these cases, light piano or harp backdrops provide the perfect context for Obel's multitracked vocals to really shine, although some well-placed strings and percussion flesh out the album's gloomier corners, as on the ghostly title track and the waltzing 'Avenue'. Good stuff.